Tag Archives: The Astrology Shop

Guest post: How I became an astrologer…by Frank Clifford

I run an occasional series here in which well-known astrologers tell the always intriguing tale of how they became involved in astrology. I’m delighted this week to be featuring a distinguished guest, a star of the astrology world, on my blog: the UK’s very own Frank Clifford, prolific author, editor and world-wide teacher, who has run the London School of Astrology for the last fifteen years. 

Enjoy Frank’s story!

Frank Clifford

Frank Clifford

Anne invited me last year to write a brief ‘How I became an Astrologer’ piece and it’s taken me all this time to sit down, ignore the other deadlines on my desk, and think of something I haven’t said before in an interview. I’m not quite sure I’ve succeeded in that last aim, but here goes.

I grew up in the 1970s and 80s with a very political, Pluto-type father who was a respected and feared personal injury solicitor (long before they were unlikely stars of ambulance-chasing adverts). My dad was so contrary and difficult that, even if the legal system had interested me (and I did study Law at A Level), I was never going to follow in his footsteps. Instead, I wanted to teach, be an architect, or write TV drama (I later did a degree in media studies, and my first extra-curricular job was writing comedy at the local BBC Radio York).

My mum has Sun–Mars in Aries and Moon-Jupiter in Libra and she eventually went into the legal system, too, but in my adolescence I shared her fascination with psychics and anyone who might predict the future. By fifteen I’d chosen to immerse myself in the more interesting world of the unknown. Or perhaps it chose me. I had grown up hearing mum’s stories of psychics that she and her friends visited. There were fascinating tales of predictions of moves abroad, foreign marriages and even a car accident. I had also loved the musical Joseph and the Amazing Technicolor Dreamcoat, and longed to have his special talent of reading symbols and predicting the future!

I didn’t seem much like an Aries at fifteen – much more like my Virgo Moon and Saturn rising. I was a shy, good boy who appeared overly serious to others. But when reading Linda Goodman, Teri King and Bernard Fitzwalter (Eccles), I aspired to be the Aries they described in their books.

In mid August 1989, on the day of a lunar eclipse in Aquarius (I write this now at the lunar eclipse in Aquarius some 28 years later), my mum and I visited Tad Mann, who was based in London at the time, and we both had readings with him. Tad’s Life*Time Astrology is fascinating but not the easiest introduction to the subject for a sixteen year old. Nevertheless, I took my chart home that afternoon with one of his books and taught myself the glyphs and began self-study. (I took a correspondence course with one astrology school but the assignments were so formulaic and the approach so rigid, I wasn’t inspired.)

One of my great discoveries around that time was the Electric Ephemeris shop in Caledonian Road, run at the time by Brian and Ananda. I bought a copy of the programme and picked up Lois Rodden’s Profiles of Women, which was a treasure trove of charts, biographies and observations. Soon after, Paul Wright’s book Astrology in Action entered my life. Thanks to these books and working with people like Lois, much of my astrology developed by reading a biography in one hand and looking for ‘why’ and ‘where’ in the horoscope in my other hand.

Thanks to my mother’s masseuse, I was introduced to Amrito (Derek Hawkins) and visited his place in Sheldon Avenue, NW London, to explore his floor chart with his students. The Astrology Shop had just opened, too, and I spent many an hour browsing and buying books there. The end of the 1980s/early 1990s was a burgeoning time for astrology – lots of classes, talks, conferences and new students. In fact, many of the people I now work alongside began astrology during these years.

As I taught myself ‘real astrology’ (a regrettable term to suggest going beyond Sun signs), it was easy to be embarrassed by Russell Grant’s camp, over-the-top TV appearances or snooty when watching Cainer’s limp defence of the subject when challenged by sceptics like James Randi. But on TV, it was harder than it looked. I never took up the challenge of defending astrology on TV or radio, although writing about my other subject of palmistry meant I was often asked on TV or radio to read hands and defend that subject.

I also steered clear of lecturing on either subject until around my Saturn return. I was too shy and probably a bit fearful of ‘who does he think he is?’ comments. Having Mars (conjunct Jupiter) on the Midheaven, it would have been easy to appear like a young upstart, which no doubt I did to some. Funnily enough, just before I gave my first lecture for the Lodge, the German woman introducing me said, rather cattily, ‘Your bio says you wrote your first book at 24. My friends and I all agree that no one knows anything about astrology until after their Saturn return.’ I asked if she knew that Liz Greene had written Saturn at the age of 28.

Yes, some years before, I had published a book on the birth data and biographies of British entertainers and published other people’s books, too. It took a while to even consider writing a ‘proper’, full book on astrology. Writing two on palmistry was much easier because you’d be on the bookshelf with some unscientific twaddle and scary nonsense – a sensible, psychological approach can stand out among them. But with astrology, you’ll be on the shelf with Liz Greene, Rob Hand, Melanie Reinhart and Howard Sasportas – and you need to earn the right to be there!

I used to joke ‘I love astrology but don’t like astrologers’ and what I really meant was that I didn’t want to get wrapped up in the political and ego battles that I watched taking place in our community (even worse now with online forums and Facebook groups). Joining a committee seemed to bring out the worst in people. I used to hear about people plotting and scheming and wondered, ‘What for? To be the president of an association no one inside or outside of astrology cares much about?’ To this day, I’ve avoided committees – it’s guaranteed my survival and sanity. And it suits my Aries nature to do things by myself. I joke that I’m a ‘benevolent dictator’ – I hire people to teach, pay them on time and do my best to treat them with kindness and respect. My dad had a good philosophy that he turned into a song, ‘If you don’t like me, then leave me alone.’ I hang around the people I like being with, and stick to compliments-only when I write on Facebook.

I’ve just published my new website and on there is a chronology of much of what I’ve done over the years (http://frankclifford.co.uk/chronology/). Dozens of books, magazines, around a thousand lectures/talks/seminars, and trips to a dozen countries in the past few years. I’ve written, researched, published, lectured, consulted, and edited books and magazines – almost everything you can do in astrology. Why? Because I wanted to try everything and visit everywhere at least once. It’s been a true labour of love, so it’s never felt like ‘real’ work. I’m thankful that I’ve been able to do it when young and energetic enough.

I compiled the chronology to remind me of what I’ve done when I’m asked to write biographies for books and lectures! There are some crazy, fun things on there like ‘reading Saddam Hussein’s hands’ (not quite, but check it out to see what I mean) and advising Universal Studios, working on television pilots and documentaries, and all sorts of travel adventures. A lot of people have come into my life in these years and some of the brightest people I know are astrologers. For the past fifteen years, I’ve been teaching and running the LSA in a building that overlooks my birthplace in London (University College Hospital). So much for going places in life!

Zodiac

Zodiac

1400 words copyright Anne Whitaker/Frank Clifford 2017

Licensed under Creative Commons – for conditions see Home Page of Writing from the Twelfth House

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Neptune Retrograde square Saturn…a meditation on the persistence of beauty…

Neptune turned retrograde on Monday 13th June 2016, at 12 degrees of its own sign of Pisces, making a second exact square with Saturn in Sagittarius on 18th June. The third and final square in this difficult planetary dance takes place at 10 degrees of their respective signs on 10th September 2016, after which the square gradually loses potency, reaching 10 degrees of separation by the end of 2016.

A great battle between order (Saturn) and chaos (Neptune)  has been raging since the end of 2015 in particular,  as mass migration of peoples – often by sea – fleeing wars and persecution at a level not seen since the end of the Second World War, has challenged European nations’ capacity to cope. With the gradual waning of the turbulent, violent, purgative years of  Uranus in Aries square Pluto in Capricorn, at the same time as the waning of  Saturn square Neptune,  we can only hope for more settled times ahead.

At a personal level, I’ve always found Saturn/Neptune aspects especially difficult. Some of us are better than others at dancing on a wobbly board suspended over the long drop into chaos! However, as always when the great planetary archetypes combine, the level at which we engage with the combination through our individual birth charts always carries a challenge to become more self-aware, more constructive in our engagement with the areas of life highlighted.

And – let us never forget that even the most difficult planetary combinations can manifest in startlingly positive experiences which can take our breath away.

This was certainly my experience on Monday 13th June 2016, the day Neptune turned direct approaching its exact square to Saturn. I have always been susceptible to the seductive beauty of art, sculpture in particular. On that day, I was with my husband in London. Having attended a most enjoyable Astrology Student Conference with two of my students, he and I were intent on a day together taking in some culture. We had booked tickets for an exhibition at the British Museum that morning. That exhibition turned out to be the most atmospheric, beautiful, awe-inspiring manifestation of the Saturn/Neptune combination I could possibly have imagined.

Sunken Cities Exhibition

Sunken Cities Exhibition

About 1,300 years ago two Egyptian cities, Thonis-Heracleion and Canopus, sank into the Mediterranean Sea. They’re still there, perfectly preserved. (As yet, only 5% of the vast undersea sites have been excavated.) They were inhabited not only by native Egyptians but also Greeks and Romans, and eventually Byzantine Christians. The cities were known from texts — Egyptian decrees, mythology and the writings of  Herodotus — but no one had actually seen them.

Then, two decades ago, underwater archaeologists began bringing up objects and artworks from the seabed. Some are enormous and weigh several tons. They included massive representations of human-shaped gods, deities in the form of animals, towering kings and queens, giant bearded heads of Greek gods, enormous pharaoh heads, black stone slabs with intensely intricate lines of hieroglyphs and stone coffins.

There were also domestic objects, coins, jewellery, incense burners and votive offerings. A selection is now part of this, the British Museum’s latest exhibition, which explores the complicated, rich culture over many centuries of the two cities.

Click HERE to see a brilliant video clip which gives at least some impression of the atmosphere of the exhibition, and the sheer scale of the underwater archaeology.

But our Neptune day wasn’t yet over! After an enjoyable visit to London’s wonderful Astrology Shop in Covent Garden run by the redoubtable Barry Street, we dropped by the National Gallery: to visit some favourite paintings, and just to marvel at the sheer scale and beauty of the building. Wandering with a truly international throng of spellbound art-lovers through room after room stocked with eight hundred years of amazing art, we were once again entranced.

Botticelli, Leonardo, Rembrandt, Canaletto, El Greco, Rubens, Vermeer, Van Gogh, Monet, Turner, Picasso…all our favourites and thousands more were there. Not reproductions: THE REAL THING.

We strolled back to our hotel, heads and hearts full of gratitude for being able to share such wonderful art and sculpture with  so many of our fellow citizens from all over the world. Neptune knows no boundaries of race, colour, creed – or artistic gifts. The day had been wonderful:a profound reminder that no matter how much ugliness, cruelty, destruction and evil there certainly is in the world, no-one can crush from the human soul our longing to connect with the Divine through meditation, prayer, music and all the Arts – “…beauty is truth, truth beauty,…” as poet John Keats put it so memorably.

******

Zodiac

Zodiac

800 words copyright Anne Whitaker 2016
Licensed under Creative Commons – for conditions see Home Page